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(Or use CD Baby’s cover song licensing service, where we take care of all those payments… forever).īut in most countries besides the USA, the mechanical royalty for the sale of a song is set aside by the download retailer and paid to royalty collection societies. If you’re selling cover songs, you need to make sure you pay the publishers the mechanical royalty they’re owed out of your download revenue. If you’re acting as your own label AND you write your own music, less stress - you just KEEP all the money. It’s then the label’s responsibility to distribute those mechanical royalties accordingly to publishers/songwriters. In the USA, that mechanical royalty is lumped in with the revenue for the download and paid to the owner of the recording (your label, or YOU if you own your master recordings). ![]() In many countries, any time your song is downloaded, you (as the songwriter/publisher) are owed a mechanical royalty. Since CD Baby is a music distributor and publishing administrator, we’ll help you get affiliated with either ASCAP or BMI and then register your songs for you.Īre you missing out on mechanical royalties from international downloads? Instrument in baby im worth it song pro#That’s where CD Baby Pro comes in, helping you collect all the income your music is generating. (ASCAP, BMI, etc.) But the other half ($9) is in the form of mechanical royalties which ASCAP and BMI do NOT collect. Half of that ($9) is in the form of performance royalties which you CAN collect through your P.R.O. However, it’s almost impossible for you to collect all of those publishing royalties unless you have a publishing administrator on your side.įor instance, for every $100 you earn from Spotify, on average there’s an additional $18 in publishing royalties that Spotify owes you. Instrument in baby im worth it song license#Are you missing out on mechanical royalties from global streaming?Īny time your song is streamed on a service like Spotify, Apple Music, or Amazon Music - anywhere in the world - you’re owed publishing royalties in addition to the streaming license fee that’s already paid to you through your distributor. This fee is owed to you as a songwriter/publisher whether you are selling a recording of your own music or another artist covers your songs. What is a mechanical royalty? It’s a fee that is owed to the publisher/composer of a piece of music ( that’s you! - unless you’ve signed your publishing rights away to a publishing company) any time that song is streamed, downloaded, or manufactured in physical form (CD, vinyl, etc.). ![]() If you don’t have a publishing administrator like CD Baby Pro working on your behalf, chances are you’re not getting paid mechanical royalties. PROs do not collect the publishing royalties that you’re owed – that’s a separate matter entirely. In fact, they’re only concerned with one slice of the publishing pie - and that means songwriters are leaving a lot of money on the table in the form of uncollected publishing royalties. While these services do perform a valuable and vital role in making sure artists get paid, they don’t do it all. They do one thing: collect performance royalties. They are not your publisher, and do no act as you publisher. It’s first important to know that ASCAP, BMI, SESAC, SOCAN, and other associations that collect performance royalties on behalf of songwriters and publishers are called “Performing Rights Organizations,” or P.R.O.s. ASCAP and BMI are Performing Rights Organizations, not publisher Sadly though, many artists think they’ve covered all the bases in terms of publishing royalty collection when they affiliate themselves with an organization like ASCAP, BMI, or SESAC. If you make your own original music as an independent artist, songwriter, producer, composer, or lyricist, there are more opportunities than ever to earn significant income from music publishing. Music publishing collection for your songs is more than signing up with ASCAP or BMI. ![]()
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